Producers and venues
You put on classical music concerts and want them to stand out. We add original visual scenography created by artists, instead of screens with generic videos. The same concert, with one more reason to buy a ticket.
Visual scenography studio · Buenos Aires
We create and produce visual concerts: live music with scenography made of projection, light and painting. Ready-made programs for your venue or festival, or created for a specific space.
Who it's for
You put on classical music concerts and want them to stand out. We add original visual scenography created by artists, instead of screens with generic videos. The same concert, with one more reason to buy a ticket.
You're looking for a unique program for a season, an anniversary or a heritage venue. We create a new visual work, designed for that music and that architecture.
What we offer
Live music, visual scenography, technical crew and content. You give us a date and a venue, and we bring the concert.
You choose a program from our repertoire and we adapt it to your venue, your musicians and your stage.
We develop original scenography for a piece, a space or a special occasion.
Projection on the stage or altar area, plus lighting design on the architecture. For venues and churches that need a quick setup.
Projection on the front wall and the side walls or vaults, plus lighting design. The image surrounds the audience, as at the Templo Escondido.
The cost depends on the venue, the ensemble and the equipment. Tell us about your project and we'll send you a proposal.
Techniques
Each program uses the technique that best suits the piece. All of them adapt to the architecture of the venue.




Synchronization
Many musicians worry that playing with visuals means playing to a click, at a fixed, pre-set tempo. Not in our programs: when the conductor slows down, the image slows down too; when the conductor speeds up, so does the image.
How it works. Our operator prepares each program in the studio with recordings of the piece and knows the music well. At the concert, they listen to the orchestra, follow the conductor and switch scenes live, right on the musical phrases.
We want to keep what people come to a live concert for: the breathing of the orchestra and the conductor's reading of the score.
This applies to our audiovisual programs. For shows that add dance or other performers, we discuss it separately.
Repertoire
With scenography already created and tested with audiences. They adapt to the venue and the ensemble.
Equipment setup is required for their first production in Argentina.
Work





Projects in St. Petersburg, Berlin (Kirchentag 2017, opening on the main stage), Monte Carlo (Peer Gynt with the Monte-Carlo Philharmonic Orchestra), Mulhouse, Hamburg, Guebwiller and Buenos Aires.
How we work
Founder · concept and scenography
Producer and video director, specializing in projection, video mapping and lighting for live music. He has led Philharmonic Pictures since it was founded.
Artistic direction
Visual artist, graduate of the Stieglitz Academy in St. Petersburg. Award winner at the Sand Malerei 2015 festival (Germany); she has exhibited at the Hermitage Museum and performed at the opening of Kirchentag 2017 by the Brandenburg Gate.
Contact
We reply in Spanish, English or Russian. Ask for our dossier with programs, technical details and terms, or let's set up a call.
hola@philharmonic.pictures · @philharmonic.pictures